conservation, Illustration, Interviews

Interview with Australian Wildlife Artist, Ronelle Reid

I am so excited to interview fellow wildlife artist, Ronelle Reid, who hales from Australia. Ronelle’s work touches a cord in my heart, as she often paints wildlife living a precarious existence, and she is not afraid to paint some of the rarer and more unusual species. Ronelle has even painted some of our own iconic New Zealand native species. I was delighted when Ronelle took time away from her amazing paintings to talk to us.

© Ronelle Reid

What is your background?

I wanted to be an artist from a very young age, I was determined and very focused all the way through university. But I found my passion wasn’t paying the bills and I didn’t have any experience running a business so I got a job working in animal welfare, I worked for RSPCA for 20 years, quietly continuing to make art in the background. In 2020 I made the jump to focus on my art full time again. 

Why did you decide to become an artist?

I can’t really remember what made me decide to be an artist. I was 6 and my dad bought me a little oil painting kit and I painted the tree in the backyard. I remember being very competitive with my older sister at drawing horses as well. It was just always what I was going to be. I never went through a fireman, doctor, princess stage.

What inspired your wildlife artwork?

I have always been fascinated by nature in all of its majesties. When I was in university I was focused on the museum environment and how natural history is portrayed in museums. It was very scientific and cold. Then I worked in animal welfare and saw first-hand the impacts on animals from habitat loss and human impact. My work soon followed that path trying to draw attention to the balance of ecosystems in a quirky way. 

© Ronelle Reid

What media/techniques do you use and what is your art process?

I am a pretty traditional artist. I prefer a solid surface so use birch wood panels. I use oil paint, watercolour pencils and ink in various combinations to get my work on the boards. I paint with tiny brushes and take way too long to make every piece. 

© Ronelle Reid

Do you work from photos or life?

I like to go out and do sketches from life, take lots of photos and then when I am back in the studio I work from a combination of those parts. Often my animals need to move around other animals that they are not normally living with so I need to use a bit of ingenuity to make the magic happen. 

© Ronelle Reid

What was your most challenging artwork and which is your favourite and why?

That is a hard question. The most challenging and hardest is usually the one I am working on at the time. I like to challenge myself so learning new anatomy can be a challenge for me. I recently painted my first pangolin, I had to use reference images as I haven’t met one personally and the bottoms of their feet are totally flat!

What advice or tips can you give to other artists?

Believe in yourself. No one can do what you do and if you stick at it you will become an expert doing your art. If you believe in what you do, it is easy for other people to believe in you as well and buy your magic. 

© Ronelle Reid

What creative project are you working on at the moment?

I always have a few things going at the same time, I am working on a watercolour work of bilbies for the Save the Bilby Fund, a few postcards for an exhibition in New Zealand and a large scale oil painting of a nautilus. 

What is your favourite animal and plant and why?

My spirit animal is the octopus. I love how alien they are, so different to everything else, adaptable and intelligent. As for plants, I love to surround myself with ferns. I think they take me back to a more primitive time when dinosaurs walked the earth. 

If you were stranded on a desert island, and you could only take your most necessary art materials, what would they be?

A sketchbook and I could make charcoal, so I would be set. 

What is your greatest challenge as an artist?

The same as everyone else – making the ends meet. Coming from a nice fortnightly paycheck to sporadic income is difficult but I am making it work. 

© Ronelle Reid

How do you stay motivated, productive and disciplined?

I have always had a really good work ethic with all things I do. I treat it like a job, start at 5 am and going to work. The part I have a problem with is switching off. I find stopping making art and taking a day off the hardest thing to do. I always am making art – everywhere I go, even when I go away. 

What is the biggest challenge in selling your work and where do you sell it?

My work always has a complicated story behind it – a conversation I have with the animals I depict. Sometimes I find I get too immersed in that story and forget to tell people they are actually for sale. I have found that a mixture of online galleries and physical gallery spaces is working for me. 

What are your thoughts about using social media to expose your work?

I like social media as a platform to create a portfolio of your work and to give a look into the background work that goes into making it; but it is a time sucker if you let it. I try to have an idea of what posts I am doing a month ahead ( it doesn’t always work that way)!

Do you have any social media links you would like to share with our readers?



Do you have any hobbies when you are not making artwork?

 I don’t have much time for hobbies these days, but I love spending time with my two dogs. Grace and Elwood are Basset Hounds. I often bake cookies for them. 

If we return to being stranded on a desert island, please share your favourite book, movie, food and music, if you could take these with you.

  • Book – would be a reference book like ‘The Origin of Species’ by Charles Darwin.
  • Movie – ‘Rosencrantz and Gildenstern are dead’.
  • Food – corn – in all of its many and varied options.
  • Music – that is a hard one. I listen to so many different types of music, but if I had to choose one to take with me, maybe Blondie or the Pixies. 

Thank you for spending this time with us, Ronelle. It has been fascinating getting to know you and learn about your passion for wildlife and painting.

Please head over to Ronelle’s website to see more of her incredible artwork and read more of her story.


Art Business, conservation

My Decision to Buy Natural Fibre Clothing from Now On

All images in the blog came from Pixabay.

Like many people, I have done my best to avoid buying products in single-use plastic bags and opted for cloth bags when buying fresh produce, because of the damage to the environment and to wildlife caused by plastic bags.

Recently, nanoplastics from clothing, have been highlighted in the news. When synthetic clothing is washed, microscopic pieces, called nanoplastic, fragment from synthetic (plastic) garments and remain in the water, draining into water treatment systems and even the ocean. Synthetic (plastic) fibres are ANY fibres which not natural fibres like wool, cotton, linen, silk, etc.

Synthetic (plastic) fibres were created for several good reasons. They are not susceptible to moth damage, dry quickly, crease less (making them immensely popular with those who hate ironing), are cheap and not dependant on successful fibre crops and harvesting.

They are, however, unhealthy for humans, as they:

  • Are ‘airtight’ and prevent skin from breathing, leading to clogged pores and skin infections.
  • Create nanoplastics, through friction during washing, and while wearing the garment. Even handling or touching these fabrics in your clothing or cloths can cause microscopic particles to be inhaled, transferred to your hands, and then be ingested causing several severe health issues, including cancers. Microplastics are being found in the placentas of prebirth babies and in new-born babies.
  • Cause air, ground and water pollution through their manufacturing process.
  • Create air, ground and water pollution through their disposal.


There are implications for wildlife and the environment, since most synthetic fibres are not recycled and are dumped in overflowing landfills.

I have decided any clothes I buy will be natural fibres, as far as possible. I live in a very cold, wet climate and I do not know if there are eco-friendly, natural windbreaker/waterproof jacket options – but I will keep my eyes open for them. Maybe we need to return to good, old-fashioned oilskins and quilted cotton jackets.

Yes, I may need to do more ironing – or I can embrace wearing creased and wrinkled clothes.

Yes, I will have to set moth traps to keep moths away from my wool wear.

Yes, I may not have as many choices, but how many pairs of trousers do I really need?

Currently I need very few clothes as I have a wardrobe full of them, and I will wear them until they perish. Only then will I selectively replace them, even if it means saving up and spending more for fewer, better quality, natural fibre garments and homeware.

Will you join me in turning away from wearing synthetic fibre clothes?

Recommended Reading:




Art Business, conservation

Products and Pricing

‘Malherbe’s Parakeet’ ladies 100% cotton sweatshirt, doodlewear.


Some people have commented that the products I sell are too expensive. Evaluation of expense is relative so what is too costly for one person is easily affordable by another. However, the last thing I want is to profiteer – and at present I am running at a loss because art involves such a huge outlay of time and cost for materials that it is almost impossible to recoup unless/until an artist becomes fashionable. To be perfectly honest, I cannot afford to buy my own products at the moment but I hope to bless those of you who can afford them. For those of you who are as cash strapped as I am, we may need to depend on big retailers instead of craftspeople.

There are practical reasons why my products cost more than those available through mass-production retailers.

My Decision to Only Sell Natural Fibre Merchandise on my Store

Since I paint endangered species, which are often affected by pollution and habitat destruction, it is ethical to ensure that my products are:

  1. Consistently raising awareness of threatened species.
  2. Created from natural fibres or products, which are not pollutive.
  3. Environmentally-friendly: producing little or no pollution during manufacturing and do not pollute when washed and finally disposed.
  4. Biodegradable.
  5. Healthy for the customer wearing or using them.
  6. Sustainable.
  7. Durable – natural fibres last longer than man-made (synthetic, plastic fibres).
  8. Where possible, are organic – just as nature intended, and not impregnated with nasty pesticides/herbicides, toxins, etc.
  9. Excellent quality, so that the merchandise is well worth the cost.
  10. Manufactured locally and/or through ethical manufacturers who do not exploit their labour force.
  11. Beautiful but useful – it is possible to create products that have both characteristics.
  12. By purchasing cotton garments, we are supporting farmers rather than fossil fuel industry.

My aim is to produce GUILT-FREE products that only positively impact customers, wildlife and the planet.

Currently, my artwork is available on a range of adult organic cotton t-shirts on my online store, Bumble-Bees Art and Crafts ( ).

In a couple of weeks, organic cotton t-shirts with my artwork, will also be available from doodlewear ( ).

An organic cotton & 100% cotton baby-wear and children’s t-shirt range is available on my online store, as well as 100% cotton adults sweatshirts and hoodies.

I am so impressed by the quality of these garments. All artwork printing is done in New Zealand by Digitees, using environmentally-friendly inks on ethically manufactured garments. My garments are only printed when a customer orders, so there is no waste, and Digitees ships the garments in a compostable bag to the customer, which is cheaper for the customer and better for the environment. Bumble-Bees and Digitees are both passionate about being as eco-conscious as possible.

Are you ready to start purchasing more durable, natural clothes and homeware?

Recommended Reading:




Art Business

The Many Hats Artists Wear – Part 7 (Final)

In the concluding mini-blog of this series, my job as an artist involves the following:

Image from Pixabay

13. Struggles with technology

When I have a list of tasks to do in a day, there is insufficient time to deal with technology challenges. This is my biggest frustration and often makes me wish that we not be so dependent of technology. I was going to share my recent techno battles but took pity on my readers.

14. Finally, painting, drawing and embroidery

Yes, it is time to generate some artwork, but is 5 pm and there are dogs to walk and tea to cook. Maybe tomorrow will work out as an artwork day?

I do work in the evening; however, my artwork needs extremely good lighting, which is not relaxing for the rest of the folk in the room. I usually do my needlework in the evening as I find it less cognitive and more relaxing.

Before anyone has a chance to feel overwhelmed by my art business responsibilities, I would like to add, that even though I earn considerably less than I used to, my stress levels have also alleviated, and this is something I am not willing to trade for a fat salary. I sleep better at night; I am happy and enjoy life to the fullest. I no longer dread Monday mornings. I am surrounded by my best friends, Mum and the three hounds, Elza, Gaius and Quink, and I make the most of every day, grateful that I can be self-employed, doing what is most important.

I would really love to hear about your art business, or your thoughts if you are contemplating becoming a self-employed artist. As always, I am also keen to read any tips you may have.

At this point, I have not settled on the subject of my next blog but hope it will be an artist or conservationist interviews. Please watch this space.

Until next time…

Art Business

The Many Hats Artists Wear – Part 6

Following on from yesterday’s mini-blog, my job as an artist also involves the following:

‘Malherbe’s Parakeet’ DOODLEWEAR WOMENS’ CREW NECK SWEATSHIRT from my doodlewear collection

10. Retailers

Because of COVID, retailers are now reluctant to consider stocking any of my prints or greeting cards as they appeal to overseas tourists who cannot currently enter New Zealand.  As I think that artists need to spread their work as widely afield as possible, I hope to soon add my merchandise to Felt, and hope that Kiwis will be interested in buying merchandise displaying local flora and fauna.

Image from Pixabay

11. Packing and processing orders

When I receive a notification of a sale from my online store, I respond to the customer ASAP, as they have taken time to support my business, and I want them to know their patronage is valued. I like to process/package all orders within three days.

Image from Pixabay

12. Development

Artists are perpetually developing. We are planning artworks, exhibitions, product ranges, courses, marketing strategies or even just indulging in a little self-development (playing with new media, taking a marketing course, etc.).

Tomorrow I will share the last few ‘hats’ I don on a daily basis. Today’s blog is the sixth part of a series of mini blogs, which I will complete posting tomorrow.

I would really love to hear about your art business, or your thoughts if you are contemplating becoming a self-employed artist. As always, I am also keen to read any tips you may have.

Until then…